While the third album in over The Whitest Boy Alive had subsided quite the minds of fans Erlend Øye, the truth is that everyone followed waiting for news from Kings Of Convenience , which is none other than the celebrated Norwegian project shares fellow Glambek Eirik Bøe ... Finally, after five years since Riot on an Empty Street , the duo has returned with their third full-length, the very Declaration of Dependence. Erlend Øye
took advantage of the new album to capture their views on the meanings that can be given to the word unit, making it clear that, after all, can not be so bad to depend on someone, so especially since lately received their creative abilities closely tied to that of his team, which revived the art of the duo called ... Thus, it is clear that through Declaration of Dependence hear it still leaves so characteristic of indie pop duo, as their skeleton is the voice of Erlend , which has returned to settle on the sweet melodies that he and Erik steal on guitars, still with the occasional addition of small and subtle orchestral ... On the other hand, as happened with the album The Whitest Boy Alive that of Kings Of Convenience also had some inspiration in Mexico, so that exudes warmth and naturalness of the four sides, something that was always the duo's own imprint ... Moreover, needless say that a Declaration of Dependence there is nothing to object, because its wonderful sound is all you fans of Kings Of Convenience expected, so that the pair has done it again ...
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